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Mahfuz introduce con astucia un relato en el interior del relato -el proyecto de obra teatral de Samara y su relato despiadado de los demás personajes- que rompe las reglas del juego y desestabiliza sabiamente al lector. La visión bidimensional de las cosas se fragmenta y adquiere profundidad. La ch...
Mahfuz introduce con astucia un relato en el interior del relato -el proyecto de obra teatral de Samara y su relato despiadado de los demás personajes- que rompe las reglas del juego y desestabiliza sabiamente al lector. La visión bidimensional de las cosas se fragmenta y adquiere profundidad. La cháchara sobre el Nilo no es la simple pintura del vacío de unas almas muertas; compone una trama argumental en varios planos, ingeniosamente estructurada por el autor.
Juan Goytisolo
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