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Yasujiro Ozu en Japón, Robert Bresson en Francia, Carl Dreyer en Dinamarca y otros directores en diferentes países han configurado una forma cinematográfica común: el estilo trascendental. En este libro se analiza ese estilo trascendental como resultado de dos contingencias universales: el deseo de ...
Yasujiro Ozu en Japón, Robert Bresson en Francia, Carl Dreyer en Dinamarca y otros directores en diferentes países han configurado una forma cinematográfica común: el estilo trascendental. En este libro se analiza ese estilo trascendental como resultado de dos contingencias universales: el deseo de expresar lo metafísico y el modo de ser del propio medio cinematográfico.
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